Check-up
- Rebekah Miron Clayton
- Nov 3, 2023
- 1 min read
She has few memories
untouched by these meetings,
these stiff seats and clotted magazines;
she is always the youngest
and is observed with interest
as she steps carefully over
the pale sea carpet which offers
little peace really,
for she thinks it is possibly deeper
underneath than she could stand.
Once she has counted three patients,
each one colourless,
six pallid hands in total,
she too is called from the waiting room
and brought into focus;
a man examines her violet eye
whilst she tries in earnest
to settle her breath
and steady her legs
underneath her chair.
When she is asked about pain
it becomes much harder
to face the doctor at all;
a small throb begins to boil
in the left hand side of her jaw
and she wonders if he can see
the water threatening to render him
awkward and soft
as it runs off her cheek
and onto his palm.
But she is saved by a knock:
an elderly woman has cut her hand
on a broken glass bottle
from her prescription bag,
so whilst the doctor goes out to take a look
she is left alone in his room
to touch the jag and tooth
of a silver letter knife
that if held right there against her face
might draw an ache that he could see.
But she doesn’t do that;
too soon the doctor returns
with his crag tooth and grin,
a crimson fingerprint on his coat,
to sign over a list
of six new medicines
which she grips between her fingers
as she drifts back through the waiting room,
a little more sheer than before,
her toes just slipping below the pale sea.
(Published in The Emma Press Anthology of Illness).
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